Home Creators Posts Import Register Favorites Logout

Downloads

  • 453727934.mp4

Some files exceed the archive size limit and weren't saved: 1 video. Please note these limits are in place to keep this site running long term, without costing a fortune. You can favorite the creator though, certain milestones increase the limit.

Content

Surprise! As a way of saying thanks for y'all's incredibly generous support, I've decided to start posting videos here a little early. My goal is to eventually get to be a full video ahead, so whenever something goes live on YouTube, the next one goes up here at the same time, but I'm doing that gradually for the sake of keeping up my release schedule, so for now this one's gonna be a week ahead. Over the next couple months I'll keep bumping it forward when I get the opportunity! Anyway, episode description:

The early '80s were an exciting and scary time in the world of music. The first wave of truly affordable electronic instruments were just hitting the market, and pioneers from across the musical spectrum were trying to figure out what to do with them. These new machines were bulky and unreliable, but they offered powerful new ways to create and conceive of sound, and they turned out to be a lifeline for a struggling pair of artists who had just watched their musical dreams go up in flames. The remnants of the pop rock band The Tourists, Annie Lennox and Dave Stewart knew they had just one shot left, so they swung for the fences, and the result was Sweet Dreams.

Files

Comments

The Packbats

Thank you for this! It's really interesting listening to analysis of songs I knew as a kid, because it never occurred to me that the structure of "Sweet Dreams" was anything unusual. Really appreciate that, and also your analysis and comments.

Chris St

As much as I appreciate having this earlier (a lot a lot!) I just want to make sure that I'm helping you as much as possible. I don't know how the dreaded algorithm works (nor do I want to :-) but would it be better for you, financially, for me to wait and listen on YouTube?

Brian Miller

I remember from an interview Annie Lennox said that Sweet Dreams was about consumer products. "Everybody's looking for something." A song with ambiguous lyrics gives a wide range of interpretation.

12tonevideos

Thanks! Honestly, watching on YouTube is *slightly* better, but on the scale of one view it doesn't make much difference so I'd say just do whichever you'd prefer!

Tommy Dahlman

This early drop really makes me feel special😀 To me early Eurythmics was taking care of the legacy from Gary Numan, Visage and Ultravox. Doing their own take on it. Great stuff. Taking a rest and getting some distance before finishing something is a big part of my process. It is all too easy to miss important aspects when you are in the middle of creating. Especially if you are your own producer. It is really beneficial to take a step back and be the audience. ✌️✌️

Scoott

It’s pretty wild that Manson released another cover the same day you released this.

Compiler Explorer

I watch here first, then watch it again with the kids on YouTube (which also means I can double check the references that don't seem to be in the Patreon spiel). Fantastic video and perspective on an absolute classic! Thanks!

Scoott

“In The Air Tonight” It’s not my thing, but then again neither is most of his stuff. 🤷‍♂️

An Oni Moose

when does the Nebula drop happen?

Euro Micelli

My plan is to listen intently from the early Patreon feed, then rewatch from YouTube more relaxed, “on the background”, where it’s easier to quickly rewind 15 secs for the parts I find require more attention. The Patreon UI (at least on an iPad) is not very good for that.

Archie George

I couldn’t remember hearing Manson’s version of Sweet Dreams, so I listened to it after this video. I kind of regret that decision.